Exhibitions
Will Cruickshank: Three Moons
Exeter Phoenix is pleased to present Three Moons, a solo exhibition of new sculptures by Devon-based artist Will Cruickshank.
Three Moons presents a series of wall and floor-based works, that share a formal language of colour, pattern and symmetry that sits in balance with an air of devotional craftsmanship. Often, but not exclusively textile-based, his works are comprised of brightly coloured yarn, precisely arranged in complex, symmetrical patterns and supported by hand-crafted wooden structures. While these may at first suggest a connection to traditional weaving and spinning processes, their minimal, pared back and abstract forms belie the artist’s more eccentric and experimental production methods.
In the studio, Cruickshank devises complex, makeshift machines that spool, wind, bind and overlay layers of yarn, or else drive crude, automatic carving machines. He consciously reuses and repurposes existing parts, salvaged from old cement mixers, bicycles, chainsaws or potters’ wheels, combining them with a variety of home-made levers, hooks and pulleys. It is a practice grounded in learning by doing, and thinking through making, where ideas are tested by trial and error and techniques are adapted and honed through exploration. Material, machine, and maker, each take their turn in leading or resisting outcomes and it is this sensitivity to this push and pull that drives Cruickshank’s work.
In the studio, Cruickshank devises complex, makeshift machines that spool, wind, bind and overlay layers of yarn, or else drive crude, automatic carving machines. He consciously reuses and repurposes existing parts, salvaged from old cement mixers, bicycles, chainsaws or potters’ wheels, combining them with a variety of home-made levers, hooks and pulleys. It is a practice grounded in learning by doing, and thinking through making, where ideas are tested by trial and error and techniques are adapted and honed through exploration. Material, machine, and maker, each take their turn in leading or resisting outcomes and it is this sensitivity to this push and pull that drives Cruickshank’s work.