Exhibitions
Sea & Dead Man's Fingers
Nicola Bealing presents two bodies of work, Sea and Dead Man’s Fingers at Newlyn Art Gallery.
NICOLA BEALING
Sea is a series of figurative paintings developed over 10 years from 2013 – and shown together here for the first time. The series started with the simple premise of a single figure largely submerged in the sea – and the contrast that could be explored between what is visible, as opposed to what might be going on under the surface, out of sight.
Dead-man’s Fingers is a body of work made during lockdown when total immersion in an alien world seemed a logical response to darkness beyond the studio door. The works developed into an intense investigation of heightened, imagined sub-marine landscapes.
The series of paintings and suspended sculptural works take their macabre title from the common name of a coral – Alcyonium digitatum. Apart from the title and a few scattered teeth and finger-bones, there is little human presence in the paintings. Humanity has perhaps been washed away in a final cataclysmic flood. The colour in these marine-scapes is heightened, and controlled elements contrast with the random outcomes of Rorschach blots and scrapes.
After storms, boat fenders, buoys and crab-pot markers wash up along the coast – battered and bruised by their voyaging and carrying clues to their past existence. They are links between natural and man-made elements in the sea, hinting at the detritus and jetsam of the lives of people unknown. These evocative objects became the basis for a suspended sculptural installation, developed after the paintings – as if growing out of them like eerie three-dimensional embodiments. They echo a vertiginous effect of submersion, a feeling of being below the surface and looking up.
Nicola Bealing is a painter and printmaker based in Cornwall with a studio at CAST, Helston. She is represented by Matt’s Gallery, London.
Dead-man’s Fingers was commissioned by and first shown at Matt’s Gallery.
Sea is a series of figurative paintings developed over 10 years from 2013 – and shown together here for the first time. The series started with the simple premise of a single figure largely submerged in the sea – and the contrast that could be explored between what is visible, as opposed to what might be going on under the surface, out of sight.
Dead-man’s Fingers is a body of work made during lockdown when total immersion in an alien world seemed a logical response to darkness beyond the studio door. The works developed into an intense investigation of heightened, imagined sub-marine landscapes.
The series of paintings and suspended sculptural works take their macabre title from the common name of a coral – Alcyonium digitatum. Apart from the title and a few scattered teeth and finger-bones, there is little human presence in the paintings. Humanity has perhaps been washed away in a final cataclysmic flood. The colour in these marine-scapes is heightened, and controlled elements contrast with the random outcomes of Rorschach blots and scrapes.
After storms, boat fenders, buoys and crab-pot markers wash up along the coast – battered and bruised by their voyaging and carrying clues to their past existence. They are links between natural and man-made elements in the sea, hinting at the detritus and jetsam of the lives of people unknown. These evocative objects became the basis for a suspended sculptural installation, developed after the paintings – as if growing out of them like eerie three-dimensional embodiments. They echo a vertiginous effect of submersion, a feeling of being below the surface and looking up.
Nicola Bealing is a painter and printmaker based in Cornwall with a studio at CAST, Helston. She is represented by Matt’s Gallery, London.
Dead-man’s Fingers was commissioned by and first shown at Matt’s Gallery.
CREDIT
