A photograph of four people standing in front of a wall based work in a gallery space. Two of the people are facing the camera and are smiling and talking to each other, the other two people are closer to the work and speaking to each other. The artwork is hanging on the wall from a wooden baton, it is large and rectangular, made up of several fabric elements sewn together. The elements are from the natural world, including leaves and plants. The colours are muted, including different shades of green, brown and blue.

Matters of Time (2025), Nour Jaouda. Installation view Spike Island. Photo Lisa Whiting

Curator Bank

One-to-one conversations to discuss work, test ideas and support the development of visual arts practice.

Curator Bank offers artists one-to-one conversations with curators working across organisations in the region, creating space to discuss work, test ideas and support the development of practice. The programme also strengthens connections between artists and curators, building relationships across the South West’s visual arts network.

Curator Bank is made possible through the generosity of curators and partner organisations who contribute their time in-kind. Participating curators bring a wide range of experience including exhibitions, engagement, education, public art, museums and working with young people. Each open call includes a guest curator from outside of the South West region.

Curator Bank was established by VASW in partnership with The Burton at Bideford, building on an original idea by curator Gilly Fox.

It's always a privilege to gain insight into different artists’ practice, at all stages of their career. Curator bank provided opportunity to do this with managed expectation through a framework independent of my organisation.

Curator participant

A gallery illuminated by soft blue lights. The ceiling is covered in white fabric which is pinned to look like billowing clouds or waves.
And you may feel yourself slowly drifting, Kath Buckler, Auction House (2024). Photo courtesy the artist

Curator Bank 2026 

The second round included 34 Curators from 25 organisations offering 63 artists mentoring sessions. Along with VASW's in-kind investment this equates to over £20,000 of in-kind support. 

Partners: Arnolfini, Aspex, Bristol Museum and Art Gallery, b-side, The Burton at Bideford, Dorset Visual Arts, Exeter Phoenix, Field Art Projects, Focal Point Gallery, Ginkgo Projects, Harbour House, John Hansard Gallery, KARST, Newlyn Art Gallery & The Exchange, Royal Albert Memorial Museum and Art Gallery (RAAM), Royal West of England Academy (RWA), Somerset Art Works, Spike Island, Studio KIND, Super Culture, Tate St Ives, The Box, Thelma Hulbert Gallery, University of Exeter, Visual Arts South West and Yeovil Art Space.

Guest curator: Claire Feeley, Head of Contemporary Visual Arts, Focal Point Gallery.
 

It felt surprising that such a simple idea had not been carried out before, but I very much appreciate it relied on the generosity of VASW to organise and curators to give their time. It made the idea of reaching out to curators - something that has felt difficult and mysterious - a lot more normal.
Artist participant

Curator Bank 2025

In 2025, Curator Bank was made possible by the generosity of 37 curators and 22 partner organisations across the South West, who committed their time in-kind for meetings with 144 artists. This equates to over £38,000 of in-kind investment. 

Partners: Arnolfini, Art Centre Penryn, Bristol Museum and Art Gallery, b-side, The Burton at Bideford, Exeter Phoenix, Ginkgo Projects, Harbour House, The Holburne Museum, John Hansard Gallery, Newlyn Art Gallery & The Exchange, Plymouth Culture, Royal Albert Memorial Museum and Art Gallery, Royal West of England Academy (RWA), Studio KIND, Super Culture, Tate St Ives, Thelma Hulbert Gallery, The Sherborne, Tate St Ives, University of Exeter, and Watershed.

Guest curator: Gilly Fox, Associate Curator Hayward Touring.

 

A logo block of thirty two arts partners who have supported the Curator Bank initiative.

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