Thursday 05 October 2017
Friday 15 September 2017
Opening Hours: 6-10pm
Twenty years after Lady Di’s funeral her life and death is still being narrated through the press … and commemorated on crockery. The royal family with its archaic traditions and extreme wealth has survived both the challenge of the damning disclosures by the ‘People’s Princess’ as well as the turbulence of two major recessions and the Age of Austerity.
Once the most photographed woman in the world, Diana, mother of ‘the-heir and the spare’ was hounded by the world press as her image was created, celebrated, critiqued and finally destroyed. This directly contributed to the passing of Protection from Harrassment (privacy and anti-stalking) legislation, as the paparazzi continued to pursue her after the divorce. However through this popular media platform she launched the most significant attack on the royal family in living memory, stating she aimed to ‘do everything possible to make sure Charles will never become king’ (Diana Tapes).
In the days after her fatal car crash a palpable sense of public rage against the Queen was reported for an apparent lack of sorrow or leadership in mourning. Front pages continue to feature conspiracy theories that Diana had been ‘bumped off’ for her threat to the royal family along with her relationship (and pregnancy?) with Dodi Al-Fayed, son of a muslim Egyptian Billionaire. Most recently an MI5 agent claimed to have been tasked with her assassination (Daily Star, June 2017).
Her death has also been pinpointed as heralding the seep of narcissism into UK culture with displays of public emotion and personal disclosure on TV shows and particularly social media such as facebook. Would her funeral on 6th September 1997 have been such a historic moment if ten million people hadn’t lined the streets of London – in ‘solidarity’ with a woman none of them had actually ever met? Or maybe they just wanted to share the limelight.
This exhibition presents multi-media artwork generated through research and collaboration between Bristol based visual artist Jude Hutchen and Wesley Storey, photographer and film maker from Liverpool.
The exhibition opening will be Friday 15th September 6 – 10pm and available for viewing 12 – 5pm on Saturday 16th (free). The Gallery Space, The Island, 1st Floor, Bridewell Street, 1st floor, Bristol, BS1 2LE.
Facebook: DI:Woman without a shadow
Join the event here.
‘Wronged wife, feminist symbol, fashion plate, media manipulator, ingénue, sexual predator, champion of the oppressed and needy, loose cannon, charity worker, humanitarian, hysteric, bulimic, iconic Good Mother, alternative therapy flake, challenger to the establishment' (John Freedland).
Thursday 05 October 2017
Comfortable Place, Bath, BA1 3AJ
Friday 22 September 2017 – Sunday 24 September 2017
Centrespace Gallery, Bristol, BS1 1EA
Saturday 18 November 2017 – Wednesday 22 November 2017
Working towards a South West where talented artists thrive, and a resilient and connected visual arts ecology that inspires more engaged and diverse audiences to value and advocate for its work.
Part of the Contemporary Visual Arts Network